After doing this, he may start walking back and forth in place, instead of entering the elevator. Half the time, you cannot just walk in the elevator as it makes you push the action button to do so. Another problem is that the elevators never seem to work right. At times, it looks like you can go certain places but you really can't. For instance, Manny gets turned around sometimes while running or walking around. Unfortunately, it is also in the interface where Grim Fandango has most of its technical glitches. This is a really nice feature that works great. Instead of an interface driven by hotspots, your character's head moves in a looking fashion when you're near an item to be used or obtained. Using the arrow keys, you move Manny around the rendered scenes in which he can look, run or pick up items. Made up of logic puzzles or simple use-this-item-here types, you never seem to be doing anything out of the ordinary or illogical.Īlso a departure, the game is played from the keyboard rather than with the mouse. Puzzle solving elements are seamlessly integrated into the story and the purpose of each makes sense in the overall context of the game. The voices fit their characters quite nicely which is an essential ingredient in this type of game. Each character has his or her own mannerisms that are amplified by superb voice acting. This is due in part to the fabulous script and dialog heard and witnessed in the game. The plot will immerse you for days and is thoroughly enjoyable and interesting from beginning to end. The highpoints of the game, though, focus on the incredible storyline, puzzles and dialog. Each one, whether a skeleton or a huge, demon-like monster, has a cartoonish look which works incredibly well. Unlike LucasArts' games in the past which featured 2D sprite based characters, Grim Fandango features fully animated 3D polygonal characters. Reminiscent of titles such as Alone in the Dark or Resident Evil, each scene has a preset camera angle in which to move your character.

You'll travel from your office at the Department of the Dead to beautiful forests and city scenes. The environments are captured in such a way that you really begin to feel like you're in Manny's shoes. The 3D rendering and characters really shine as each place you visit is beautifully presented and the artwork is magnificent. This new direction the genre has taken proves to work out very well with Grim Fandango, easily one of LucasArts best productions. In the past, their games have been simple mouse based point-and-click entries with hand drawn backgrounds and 2D characters. What LucasArts tried to do with Grim Fandango was expand on the company's extensive collection of graphic adventure games by taking it to the next dimension, 3D.

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